I want to make you feel something.
Chris Savor, a producer and vocalist hailing from the UK, embarked on his musical journey while residing in New York. There, he teamed up with Anton Domingo, a producer from the Philippines, and together they created beats blending elements of soul, R&B, and futuristic sounds.
One of Savor’s most notable achievements was producing tracks for “Leave to Remain,” a musical by Kele Okereke of Bloc Party, staged at the Lyric Theatre. Over the course of nine months, the duo meticulously crafted sounds fusing UK dance music with West African highlife. Additionally, Savor has contributed his production skills to short films, runway shows, and renowned brands such as DSquared2, Missoni, and Awaytomars.
Bex’s “Did I Do Something Wrong?” explores the nostalgia of childhood, the journey of growing up, and the process of discovering one’s desires and aspirations in life.
“Up All Night Blues” by Driftwood delves into the joys and challenges of entering parenthood for the first time. The song serves as a contemplation on the transition to motherhood, juxtaposed with memories of life prior to having children. Vocalist and violinist Claire Byrne describes it as a reflection on profound changes.
“At 3 a.m., with my newborn awake once more, this is my reality. It’s a blend of beauty and hardship. As I close my eyes, I reminisce about my former self during late nights, pondering the company and music that would have accompanied me.”
Roseph, a four-piece band from Sweden, draws inspiration from grand pop productions, powerful rock influences, and the challenges of youth. Former schoolmates, they transitioned from immediate local acclaim in 2017 to a phase of self-discovery both musically and personally. Now, they present a collection of authentic songs, with some already released and the rest soon to follow.
While studio exploration and genre-blending are significant aspects of their work, the core of their creative process remains rooted in live performances and the collaborative energy of playing together as a group.
Clæmus, a Progressive Metal band hailing from Wellington, New Zealand, consists of Taylor Hemson, Kit Jenkins, and Dan Hayston.
Their forthcoming EP, “Mercurial,” scheduled for release in the first quarter of 2024, features the standout track “Shallow.” This song delves into the internal struggle of self-improvement, exploring the constant battle of evaluating its true value.
In 2022, German singer-songwriter and composer Simon Schütt initiated “Solace” as a means to articulate the unspoken and sense the unfelt amidst global and personal turmoil.
What began as a personal endeavor swiftly evolved into an inclusive haven for both old and new acquaintances, fellow artists, and family members. Together, they explore expressive avenues through lush melodies and diverse tonal landscapes, where noise and imperfections are not perceived as flaws but rather as evidence of vitality. Here, genre serves as a fluid concept, akin to shifting seasons.
“Solace” embodies the organic progression and development that surpasses rigid precision, emphasizing the significance of each fleeting moment and embracing the transient nature of existence.
MUVA offers a concert to life. Using cinematic music and world music as a means of communication with the audience, MUVA takes the spectator on a journey of emotions and sensations reminiscent of movie scenes and dreamlike landscapes.
MUVA’s language is universal, organic, proud of its roots, and even mundane, suitable for all audiences, as it employs elements of rock, classical music, electronic, jazz, and ethnic music from different parts of the world.
The essence of The Very Core. lies in acoustic melodies that exude pleasant vibes and evoke imaginative moods. Embrace release, delve into your inner world, and immerse yourself in a state of creative flow.